3/19/2024 0 Comments Blues guitar tablature free![]() You can find that kind of lick in Eric Clapton‘s playing. But this time there are more effects and movements. The position used is the same as in the first lick. This is followed by a transverse flight to the tonic note G, on the high E string at the 15th fret. To give life to this kind of phrase, the bends are essential. The famous bluesman was accustomed to licks with the tonic located on the 2nd string and blocked with the index finger: it is called “ BB Box“. Lick n° 3 (bars 5-8)įor this lick, I got inspired by BB King. Pay attention to the effects and techniques that make the blues so special. Apprendre les accords majeurs et mineurs de base, voire les barrés. The final phrase is based on the famous minor penta position. Avant de vous lancer dans l’étude du Blues, je vous conseille de prendre d’abord le temps d’intégrer de bonnes bases généralistes à la guitare : Travailler la synchronisation de vos deux mains avec des exercices techniques comme les déliateurs. You will notice the perfect symmetry between the first 2 bars, and also the use of chromaticism to bring an almost jazzy side. One of my favorite lick ideas is to focus harmonically on the V-IV sequence ( D7-C7). Nevertheless, be careful to negotiate the exit. Alvin Lee Subscribe to Plus Uninterrupted sync with original audio. Difficulty (Rhythm): Revised on: 4/19 /2021. This type of phrase can of course be extended as long as you like. Electric Guitar (clean) The Bluest Blues Tab. In blues or rock music, repeating notes in licks is cool and sounds well. ![]() Now everyone has 4 bars to play and this dialogue last during 3 full grids. As for the lead phrases, they are based on the famous minor penta position (here in G, 3rd fret) or its extension. The rhythmic part supports the groove of the piece and beats 2 and 4 (also called “weak beats”). ![]() We speak about antecedent and consequent. Indeed, each group of four bars can be divided into 2:Ģ bars of rhythm and 2 bars of solo phrasing. A quick look at the score and you’ll see the natural breakdown of this 12-bar grid. The inspiration for this song is Come When I Call by John Mayer. The first roundīut before we go deep into that, let me first start with a full grid. The rest of the grid follows a very classical pattern in the alternation of degrees: two measures of IV ( C7), two measures of I ( G7) and then the sequence V-IV-I-I ( D7-C7-G7-G7).īecause of its internal structure, easily divided into groups of two or four bars, the blues is an ideal playground for practicing the famous “question and answer” concept. We start with G7 and then, in bar 2, we find the chord of the IVth degree in order to bring a light harmonic movement: it is what we call a “quick change”.Īs this variation is not imposed, we could also have stayed four measures on the G7 chord. The harmonic progression is quite simple and is based on 3 chords (degree I = G7 / degree IV = C7 / degree V = D7) arranged according to a pre-established order.
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